Everybody Scream
“There was basically an urgency to this record. It came out of me in this furious burst,” Florence Welch tells Apple Music’s Zane Lowe of Florence + the Machine’s sixth full-length. “And it’s one of those records where if I hadn’t have put it out now, it never would’ve come out because I think how I felt about things is so specific to this moment in time, and this roared out of me. It was made almost like a coping mechanism.” That moment in time began for Welch during the *Dance Fever* tour. “I actually ended up having a ectopic miscarriage onstage that was dangerous, and that I had to be hospitalized for, and I had to have immediate surgery because I had a Coke can of blood in my abdomen,” she explains. Her health crisis and ensuing feelings fueled *Everybody Scream*, which offers a haunting yet cathartic experience for both the singer and those listening. “I felt so out of control of my body, it was interesting,” she says. “I looked into themes of witchcraft, and mysticism, and everywhere that you looked in terms of birth or stories of birth, you came across stories of witchcraft, and folk horror, and myths.” Infusing those elements throughout the album, Welch wails, warbles, belts—and, yes, screams—with emotional clarity and appropriately witchy charisma while getting quality assistance in the form of Mitski, Aaron Dessner, and IDLES guitarist Mark Bowen. The title track muses on fame and pushing through the pain to perform: “But look at me run myself ragged/Blood on the stage/But how can I leave you when you’re screaming my name?” Conjuring up a bacchanalian forest rave, “Witch Dance” casts a spell with its heated pace and Welch’s breathy chants. And for the singer, “Perfume and Milk” helps alleviate her own agony. “It was about healing and having watched seasons change and having watched other things growing and then returning to the earth and a sense that I was also part of that nature and part of that cycle,” she says. *Everybody Scream* ends with the stirring “And Love,” striking a hopeful note: “Peace is coming” she repeats on the ballad. “Let this one be the one that comes true,” she says. “Let this one be the one that is realized in the world. I think the songs are always three steps ahead of me. It’s been that way my whole life.”
On her sixth album, Florence Welch sings anthems of resilience with her characteristic gusto, but it’s her words of uncertainty that stand out most.
Emanating with radiant energy, Everybody Scream finds Florence + the Machine feeding on their unruliest impulses yet.
On her sixth album as Florence + The Machine, Florence Welch enlists horror and magic to harness hope
Her first album after three difficult years is an epic reassertion of Florence’s fearsome, spell-binding power
Florence + the Machine’s sixth album Everybody Scream turns a traumatic experience into an artistic triumph
Inspired by a near-death experience, Florence Welch conjures up a fantastic collection of songs that find her wrestling with her role as a performer, her status among ‘the greats’, and who she is at home, away from her devoted followers
Florence + The Machine’s ‘Everybody Scream’ is a lovesick ode to the highs and lows of being a performer, delving into the dark side of fame
Your daily dose of the best music, film and comedy news, reviews, streams, concert listings, interviews and other exclusives on Exclaim!
Born out of a potentially fatal health scare, Florence Welch’s sixth album Everybody Scream offers catharsis and evolution.
On her self-deprecating, viscera-flecked sixth record, Florence Welch picks apart the compulsions and contradictions of fame
Oscillating between themes of loss and recovery, Everybody Scream is a spellbinding masterpiece
Florence Welch emerges from a hurricane of angst with perhaps her finest and certainly her stormiest record to date
Hauntingly beautiful sixth album from indie art rockers. New Music review by Tom Carr