Elaenia
Elaenia is a dazzling score which puts Shepherd in the spotlight as a composer who has produced an album that bridges the gap between his rapturous dance music and formative classical roots that draws upon everything Shepherd has done to date. Growing up in Manchester - he started out as a chorister at an early age - Shepherd eventually arrived in London for university, where he spent the next five years engineering Elaenia, all the while DJing in cities across the globe and working towards his PhD in neuroscience. An album that draws inspiration from classical, jazz, electronic music, soul and even Brazilian popular music, Elaenia - named after the bird of the same name - is the epitome of the forward-thinking Floating Points vision in 2015. Musically, the mesmerising ebbs and flows of Elaenia span moments of light and dark; rigidity and freedom; elegance and chaos. The lush, euphoric enlightenment of ‘Silhouettes (I, II & III)’ - a three-part composition that acts as a testament to those early days Shepherd spent playing in various ensembles, complete with an immensely tight rhythm section that ends up providing a cathartic, blissful release. Elsewhere, Shepherd’s knack for masterful late night sets bare fruition to the hypnotic, electronic pulse of ‘Argenté’, which leads into final track 'Peroration Six' - a track with one of the biggest tension-and-release moments in music this year. Shepherd - the ensemblist, the producer and scientist - even built a harmonograph from scratch to create the artwork for Elaenia, the end result created by using it and 2 fibre optic cables of 0.5 and 1.5mm diameters, which were connected to light sources responding to bass drum and white noise percussive sounds from the album track ‘For Marmish’. Like his contemporaries Caribou and Four Tet, Shepherd has nurtured the Floating Points name into one renowned for ambitious and forward-thinking DJ sets, having performed all over the world at events and clubs such as Output NYC, Trouw, Sonar, Unit in Tokyo, Panorama Bar and, of course, Nuits Sonores (which lent its name to his seminal track from summer 2014) as well as the much missed Plastic People, where he held a residency for five years. Elaenia also features a huge variety of contributors, including drums from Tom Skinner and Leo Taylor plus vocals from Rahel Debebe-Dessalegne, Layla Rutherford and Shepherd himself. Elsewhere there's Susumu Mukai taking up bass, Qian Wu and Edward Benton sporting violins, Matthew Kettle on the viola, Alex Reeve on guitar and Joe Zeitlin on the cello.
The full-length debut from Sam Shepherd (aka Floating Points) is as warm and fluid an "electronic" album as you will hear all year, and it has a timeless feel: There's no reason it could not have been written and recorded 10, 20, or even 30 years ago.
Sam Shepherd – the man, the neuroscientist, the DJ, the Plastic People resident – has finally released a debut album. Rejoice, say we.
Slight and anticlimactic are terms of dissatisfaction that could be used by certain listeners as a reaction to Elaenia, the first full-length from Sam Shepherd, aka Floating Points.
An alumnus of Shoreditch’s now defunct Plastic People nightclub, Floating Points’ debut album has finally arrived after five long years in the works.
You'll have to forgive Sam Shepherd for taking seven years to release his first full-length record — he was busy earning a Ph.D. in ne...
Question: What happens when a trained musician with a love of neuroscience and DJing takes on the oft-repetitive world of electronica? Answer: the world
Sam Shepherd’s debut as Floating Points is a meditative, jazz-influenced marvel that reveals more with every listen