
Delirium
After flirting with indie dance, then Calvin Harris and Starsmith-produced EDM, singer Ellie Goulding takes a strong turn toward club-ready synth-pop.
Goulding is sure to repeat past success with Delirium, her third album and arguably her most commercially driven to date.
Breathy singer attempts a bigger sound as she tries to square up against the female pop hierarchy
Ellie Goulding's third studio album, Delirium, is by far her most pop facing, and it's surprisingly compelling. The first track, "Intro (Delirium)," primes listeners for an ethereal, otherworldly experience. It's haunting and mystical, perhaps even conjur
After winning the BBC Sound of 2010 poll, it quickly became clear that Ellie Goulding wasn't your typical popstar. Her songs sparkled and shimmered
Despite proclamations about approaching her third album as an experiment, there’s very little on Ellie Goulding’s latest that bucks pop’s prevailing trends
Current and slickly produced pop throwing in all the beats from the EDM genres. CD review by Katie Colombus