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Ed Sheeran’s 2011 debut album, *+*, introduced the world to an unassuming pop star. Sheeran, who cut his teeth sofa-surfing and playing gigs in pubs, was a relatable everyman: His tunes combined singer-songwriter melodies with slippery hip-hop rhythms, and his lyrics were imbued with recognizable references and down-to-earth imagery. Sheeran came across as the guy you saw perform at an open mic night, and felt compelled to buy a drink for afterwards—mainly because he *was* that guy. Even when *+* began selling millions of copies, Sheeran was still showing up at gigs wearing a lumberjack shirt, loose-fitting jeans, and chunky sneakers. He was dressing for comfort; as a result, he sometimes looked like he’d wandered onto stage by accident. That approachability is maintained on *x*, his 2014 follow-up. But peel back Sheeran’s modest take on pop, and there’s a quietly experimental thread running through the record—best evidenced on the wanton lead single, “Sing.” Producer Pharrell Williams draws Sheeran away from his nice-guy persona, adding snapping beats, sonar-like electronics, and a grooving rhythm guitar. “I want you to be mine, lady/And to hold your body close,” Sheeran spits on the verse, sounding like a tequila-soaked playboy. Then he slides into a seductive falsetto for the chorus: “If you love me/Come on, get involved.” Such subversion is repeated on “Don’t,” which finds Sheeran taking aim at an adulterous ex-flame, and “The Man,” which is Sheeran at his most bitter. Elsewhere on *x*, he’s seduced by the allure of hedonism (“Bloodstream”) and forced to confront familial trauma—which he does with empowered sassiness (“Runaway”). Sheeran doesn’t abandon his duties as a swooning balladeer, of course: “Photograph” is an aching meditation on the realities of a long-distant relationship, “Tenerife Sea” is a sensuous ode to a lover, and “Thinking Out Loud” remains Sheeran’s most romantic song, forever destined to soundtrack first dances at weddings. The album’s amalgam of adventurous and innovative musicianship with crowd-pleasing reliability now feel synonymous with Sheeran’s music. But it was *x* that first hinted at an artist willing to test the limits of what people expected from him.
To many, Ed Sheeran is simply an adorkable British ginger who moonlights as Taylor Swift’s BFF in both song (her mega-hit “Everything Has Changed”) and in real life (this Drake-themed needlepoint). But before opening for T-Swizzle—and giving his career and reputation a boost, especially in the U.S.—the 23-year-old was…
To many, Ed Sheeran is simply an adorkable British ginger who moonlights as Taylor Swift’s BFF in both song (her mega-hit “Everything Has Changed”) and in real life (this Drake-themed needlepoint). But before opening for T-Swizzle—and giving his career and reputation a boost, especially in the U.S.—the 23-year-old was…
<p>The follow-up to 2011's + is precision-tooled, pitch-perfect and utterly lacking in substance, writes <strong>Kitty Empire</strong></p>
<p>The follow-up to 2011's + is precision-tooled, pitch-perfect and utterly lacking in substance, writes <strong>Kitty Empire</strong></p>
The first time I saw Ed Sheeran perform was when I stumbled across him by accident, at a small festival in the middle of an English countryside.
The first time I saw Ed Sheeran perform was when I stumbled across him by accident, at a small festival in the middle of an English countryside.
<p><strong>Alexis Petridis</strong>: Ed Sheeran could have played it safe and done a repeat run of his mega-selling last album – but that's not what this is</p>
<p><strong>Alexis Petridis</strong>: Ed Sheeran could have played it safe and done a repeat run of his mega-selling last album – but that's not what this is</p>
Ed Sheeran may appear an unconventional pop star but he has genuinely great songs, says Neil McCormick
Ed Sheeran may appear an unconventional pop star but he has genuinely great songs, says Neil McCormick