Raw Honey
“All anyone wants to be is what they can.” In an era when networked access to information is nearly universal and wearing influences on your sleeve is normalized, it often feels like everything’s been done. Which begs the questions: What’s the point of creating? Does the world need another still life of fruit? Another film about love? Does the world need another melody? On Raw Honey, his second album as Drugdealer, Michael Collins colors these existential conundrums with lush arrangements, memetic melodies, and a vulnerable tunefulness that tries to make sense of self-doubt and connected loneliness in our shared simulacra. Collins, who never played an instrument let alone received musical training in any formal capacity, began experimenting with sounds in 2009 after traversing the US on freight trains. After a few years crafting abstract sampledelia, he decided to forgo his experimental exercises in favor of teaching himself how to write a traditional song. In doing so, he made the decision to approach songwriting from the perspective of a listener, rather than a “musician.” In 2013, Collins headed west and enmeshed himself in the Los Angeles underground scene. It was there and then that he began collaborating with players in the orbit of Ariel Pink, over time crafting what would become Drugdealer’s debut album, The End of Comedy, a collection of sunlit songs as indebted to Laurel Canyon psych pop as it is Bacharachian orchestration. Raw Honey continues where The End of Comedy left off, with Collins leading an ace crew of collaborators to coalesce the spirit of Drugdealer’s classically modern pop. Built on the foundation of a creative partnership among Collins, Sasha Winn (vocals) and Shags Chamberlain (bass, production), Drugdealer is more a collective than band. Raw Honey features contributions of Josh Da Costa (drums), Jackson MacIntosh (guitar), Danny Garcia (guitar), Michael Long (lead guitar), and Benjamin Schwab (backing vocals, guitar, organ, piano, wurlitzer), as well as guest vocalists like country balladeer Dougie Poole (“Wild Motion”), Harley Hill-Richmond (“Lonely”), and frequent collaborator Natalie Mering (Weyes Blood) whose dulcet tones sing low before soaring on “Honey,” a track as silky as the nectar itself. Throughout Raw Honey, Collins and crew display their influences as a new tapestry, one woven with the fibers from thousands of tapestries that have colored our collective listening histories. As evidenced throughout Raw Honey, Collins ear for penning numbers that would sound as at home on Classic Rock radio as they would at Zebulon in Los Angeles, where any of the contributors to Raw Honey might likely be found on any night of the week, on stage, or in the audience supporting another Angelino’s modern pop aspirations. Rather than hiding behind a curtain or casually sidestepping AOR tropes, Raw Honey adheres to a modern kind of creation — one that cultivates influences and espouses reverence. An honest totem, Raw Honey isn’t tangled up in social norms, with Collins prefering to air his self-doubt as a northern star to guide like-minded people wherever they need to go.
L.A.-based auteur Michael Collins crafts a pristine portrait of early-’70s AM radio by taking inspiration not only from the period’s definitive artists, but its discarded pop detritus, too.
Drugdealer's second album is a collection of '70s-tinged soft-rock jams for heading out on your own Magical Mystery Tour.
Raw Honey is a rarity of a record: its the glint that catches your eye, the double-take a curiosity, hidden in plain sight.
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Raw Honey is a collection of authentic songs about self-discovery and understanding, is a force to be reckoned with and a real triumph.
Like a hidden psychedelic gem found in a crate of old records, Michael Collins' second album as Drugdealer is a blast of modern pop and clas...
Psychedelic-pop auteur Michael Collins, also known as Drugdealer, is proficient in a language of languorous pop music that is bubbly enough to sound lighthearted and playful, but aesthetically cohesive and self-serious enough to the point of legitimate ar
Raw Honey, the latest album from Drugdealer, brings together artists from Benjamin Schwab to Weyes Blood, for an LP with a palpable sense of camaraderie.
'Raw Honey' by Drugdealer, album review by Mike Ollinger. The full-length comes out on April 19th, via Mexican Summer. Lead Track "Honey" is now available