Marble Skies
The mad scientists of UK psych-rock take an unexpected turn toward pop on their third album.
With it's classic pop tones, on their third album ‘Marble Skies’, Django Django occasionally expose their more mainstream ambitions.
Django Django spends its time pushing their sound into new directions, with varying results
Following 2015's excellent, if a bit too lengthy, Born Under Saturn, U.K. art-pop architects Django Django turn in a more focused though still exploratory effort with their third album, Marble Skies.
On their third album Marble Skies, Django Django stick to their genre-blurring formula with mixed results.
Scottish psychedelic pop quartet Django Django have withstood the hype well. After garnering attention for their already confident and fully...
The success of Django Django's debut self-titled record put the U.K. band in a bit of a predicament.
After a good enough but fairly ordinary sophomore album in 2015, Django Django return with follow-up ‘Marble Skies’ and this time it’s
London-based band Django Django's third album 'Marble Skies' may be a touch vanilla - but don't always knock vanilla.
With its mix of 1960s influenced psychedelic guitars, skewed, jerky rhythms and avant-garde electronic flourishes, Django Django's debut album, accompanied...
Album review of 'Marble Skies' by Django Django. The full-length comes out January 26th via Ribbon Music.
From krautrock and prog-pop to Appalachian square dance, the oddball rockers are never short on – frequently lovely – ideas on their third album
Third album from perennially inventive indie-electronic outfit presses the right buttons. Review by Thomas H Green.