Glowing in the Dark
The UK psych-rockers’ pan-genre approach benefits from a little extra curation and fun. As versatile as they are, their stylistic detours eventually feel like overkill.
Django Django's fourth album, made in 2019, feels like an eerily prophetic forecasting of the world it would be released into
Django Django remain a band with a lot of ideas but are yet to find the focus to deliver
When the songwriting and appetite for invention remains this strong, Django Django certainly have a lot more to give.
On their second album, Pale Waves continue to wear their influences on their sleeves, while Django Django offer some much-needed illumination
U.K. quartet Django Django have been honing their peculiar strain of art-pop since the beginning of the 2010s, weaving together bits of angular surf guitar, glowing synths, and rich vocal harmonies with a strong electronic undercurrent.
Django Django's latest effort doesn’t fully shrug off the creeping sense of familiarity, but for the first time marks a real step forward for the four-piece.
I don’t really get why Django Django aren’t bigger than they are. Their first three albums were glorious musical celebrations filled with
The hooks may take a little longer to land, but the London-based four-piece continue to shape-shift with ease
Soft and nuanced, this is an unlikely triumph from art-rock mainstays Django Django, despite originally being written to fill gaps in their live set
Django Django have built on the momentum of their previous records with the brilliant Glowing in the Dark, a fantastic whirl of the band's sonic...
Glowing In The Dark by Django Django album review by Adam Williams. The full-length comes out on February 12, via Because Music