The Magic
After all the accolades from press and peers, what’s a legendary band to do? Forget the recording studio, rent out an abandoned office space in the middle of the New Mexico desert, set up, plug in and play REALLY LOUD. Starting with hardly a notion of the outcome, by seven days later Deerhoof had found (you guessed it) The Magic: a raw and refreshing 15-song wallop of an album about what happens when you leave your comfort zone. The version of Deerhoof you hear on The Magic is a most punch-drunk proposition. Everyone showed up in the mood to sing. Satomi, Greg, John and Ed dream up alchemies of punk, pop, glam, hair metal, doo-wop, hip hop, and R&B, late-night car rides, long days, attitude and spandex. Poetry into noise. Volume knob into gratification. Friendship into rock band. According to drummer Greg, the music on The Magic was lurking in the shadows of "what we liked when we were kids - when music was magic - before you knew about the industry and before there were rules. Sometimes hair metal is the right choice." For singer/bassist Satomi Matsuzaki The Magic is but the latest episode of an ongoing gamble: "I joined Deerhoof a week after I arrived in San Francisco from Japan. I hopped on a MUNI bus to have a first meeting but got off at a wrong stop. I was lost and confused. They found me on a dark street corner after I called for help from a pay phone. Since then my adventure expanded. Deerhoof is a vehicle with four powered wheels that takes me through forest, desert and buildings. My life is adventure!" The Magic is a mixtape imbued with Deerhoof's sorcery -- boldness, wonder, technical know-how, risk. It is a mixtape by the kid with the biggest music collection you've ever seen, who will take you camping and show you how to pull a rabbit out of a hat.
The avant-pop stalwarts return with one of their loosest and most rock-heavy records yet, slightly bending their own rules while remaining stubbornly singular.
God bless Deerhoof for never growing tired of being Deerhoof. In the time it takes most two-decade-old bands to make a record, Deerhoof makes three. Shattered kick drums litter the San Francisco band’s trajectory. Deerhoof makes music recklessly and wildly, but with great skill and a premium on sweetness.
Quirky quartet of indie veterans return with alchemical LP, The Magic
An exercise in keeping things fresh, on their new album Deerhoof swap the studio for an abandoned office space in the New Mexico desert.
On albums like La Isla Bonita and Breakup Song, Deerhoof took a back-to-basics approach, concentrating on joyful blasts of noise pop and surprising funk.
US oddballs Deerhoof return with another idiosyncratic yet highly addictive selection of tunes, this time written and recorded in a mere seven days.
Otherworldly and full of enchantment, Deerhoof's 13th studio album, The Magic, finds the wholly original and ever-engaging band at their mos...
Ever since the release of Deerhoof vs. Evil in 2009, the normally rambunctious San Francisco ensemble has seemed somewhat restrained.
Deerhoof 'The Magic.' album review by Gregory Adams. The full-length comes out on June 24th via Polyvinyl Records. Deerhoof, play June 23rd in Brooklyn, NY.