Dusk And Summer
A lot of Dashboard Confessional's fans discovered Chris Carrabba's songs during the time when radio was dominated by grinding nü-metal, boy-bands, and gangsta rap; by contrast, Carrabba's acoustic angst-ballads sounded honest and direct, especially to a generation apparently unaware that heartbroken guys with guitars…
Dusk and Summer -- a cohesive album divergent from the modern-rock collection of songs on 2003's A Mark, a Brand, a Mission, a Scar -- finds Dashboard Confessional's path to maturity leading them, weirdly enough, back to their roots. Whether or not this is a reaction to mainstream success, Dashboard is still very much a full band, but the album is gentler and falls much closer to the feeling of The Places You Have Come to Fear the Most. Not only does it include more tracks with simpler arrangements that occasionally now include piano and violin, the general sonic vibe resembles more of its earlier work, just more seasoned. Though the lead track and single, "Don't Wait," has one of the most grating choruses on the album -- and the song also owns a weird underlying air of "Kiss Me" by Sixpence None the Richer -- the remainder of the suitably titled Dusk and Summer is very much full of satisfying heartfelt anthems that reflect its early evening beach artwork.
It isn't enough for your heart to break because everybody's heart is broken now. -- Allen Ginsberg. I have something to admit