Heartmind
Over the course of two decades, Cass McCombs has taken great pains to elude easy narratives and easy analysis—the California-born singer-songwriter doesn’t like to stay in one place for too long. On *Heartmind*, his 10th studio LP, McCombs remains true to form, expertly slipping between double-knotted rock (“Music Is Blue”), rootsy epics (“Unproud Warrior,” featuring vocals from Wynonna Judd), Latin psych (“Krakatau”), gentle free jazz (the haunting closer), and iridescent power-pop (“Karaoke,” one of his best tunes to date). All of it sounds like him and him alone.
Across a casually sublime album, Cass McCombs is at his most confident and intentional, constantly returning to the imagery of music and the casualties of a life devoted to making and sharing art.
Remarkably, Heartmind coheres into a seamless album despite cruising unpredictably from the angularly crunchy King Crimson/Tortoise post-prog-rock blend of Music Is Blue to the heavy-lidded, liquid flow of the title tracks extended cosmic jam (with hints of the ageless beauty of John Martyns Small Hours) via the percussive calypso vibes of Krakatau.
AllMusic provides comprehensive music info including reviews and biographies. Get recommendations for new music to listen to, stream or own.
Cass McCombs honed his craft years ago, but still has the ability to surprise on his tenth album.
Following the acclaimed 2019 epic Tip of the Sphere, Cass McCombs returns here with a more succinct, though no less genre-bending effort across the eight tracks of Heartmind.
The turbulent, everyday lives of others populate the California singer-songwriter’s masterly new album
Heartmind by Cass McCombs Album Review by Greg Walker. The singer/songwriter's full-length drops on August 19 via ANTI- Records and DSPs
Heartmind, the 10th LP from Southern California singer/songwriter Cass McCombs, might be his most personal record to date.
Images can be powerful enough to instantly facilitate emotive responses, and it’s the drive of almost every musician to obtain that level of power via their cover art. For over almost two decades now Cass McCombs' album covers have teetered from simplistic portraits, as on Mangy Love and Wit's End, to the chaotic, as seen
Lightly worn, lilting beauty as a beloved American singer-songwriter honours his dead