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NME 2.5/5 ‘Bad Blood’ comes out with about as much identity as a Facebook commenter without a profile picture.
DIY 4/5 Here is an artist who may be young, but has already got a firm handle on his craft.
All Music 3.5/5 While the band occasionally gets a little too self-serious on the album's second half, Bad Blood is a solid, polished debut that fans of acts like Snow Patrol (who don't mind more electronics in the mix) might appreciate more than synth-pop aficionados.
The Observer 3/5 Delusions of cultdom still surface on their debut (most obviously on the Twin Peaks-referencing Sarah Palmer) but overall, it is a hooky, unmistakably populist affair.
Pop Matters 8/10 A debut that’s as infectious as it is dramatically powerful.
The Guardian 2/5 It's hard to work out why these songs have made a greater connection than those of a hundred like-minded songwriters.
