PLUS

by 
AlbumOct 28 / 20209 songs, 1h 3m 53s
IDM
Popular

When Autechre’s *SIGN* dropped in October 2020, its hour-long running time and comparatively consonant tones marked a major shift from the tangled sonics and mazelike dimensions of 2016’s four-hour *elseq* and 2018’s eight-hour *NTS Sessions*. But Sean Booth and Rob Brown often have a trick up their sleeves: Just two weeks later they released *PLUS*, featuring nine additional tracks presumably cut from the same sessions. Darker and more turbulent than its predecessor, *PLUS* trades *SIGN*’s frequently rosy blush for squalls of dissonance. Brief but potent, “DekDre Scap B” sets an ominous tone with metallic drones and arrhythmic shudders that suggest a submarine tearing apart at the seams. The tensions at the heart of Autechre’s work, as randomness pulls against dance music’s repetitive structures, have long suggested a tug-of-war between the duo and its labyrinthine software creations, and on *PLUS*, it’s easy to get the sense that the software is winning. “7FM ic” shuffles like a cybernetic zombie, buffeted by noxious blasts; “marhide” begins with drum sounds familiar from electro’s classic TR-808s, but the hesitant groove, nearly suffocated in a fog of white noise, transmits the opposite of electro’s kinetic energy. That’s not to say there aren’t some jams here: “X4” spins canonical IDM’s jittery rhythms into a 12-minute epic, while “TM1 open” gives acid techno a heart-racing nudge. And there are a few moments of spare, almost delicate beauty: The stately chords of “esle 0” sound like church-organ music from the 23rd century. But by and large, *PLUS* sounds like Autechre is giving free rein to their machines and inviting us to come along for the thrillingly unpredictable ride.

AllMusic provides comprehensive music info including reviews and biographies. Get recommendations for new music to listen to, stream or own.

7 / 10

There are only a select handful of electronic music artists held in the same calibre as  Autechre. Since the early '90s, Rob Brown and Sean...

8 / 10

I really dislike analogies. They never really work and are shorthand for something that is plainly obvious. So, it saddens me to use one here. Takes a

74 %

Autechre announced their recently released album SIGN as their first since their 2013 album, Exai. This is technically true, but makes an important omission: there was the four-hour elseq 1–5, eight-hour NTS Sessions 1–4, and dozens of hours of unique improvised live concerts released in that interim. After this level of output, how do you