Dedicated to Bobby Jameson
Ariel Pink is one of those artists who doesn’t change their style so much as drill deeper into it with every album. Retreating from the studio sound of his recent breakthroughs into the murk of his early recordings (see 2004’s classic *The Doldrums*), *Dedicated to Bobby Jameson* is a strange, phantasmagoric experience, by turns creepy (“Santa’s in the Closet”), pretty (“Feels Like Heaven”), and something unsettlingly in-between (“Do Yourself a Favor”). As always, Pink loves a weird joke, but the prevailing mood is one of loss—of hearing something fade away in haunting real time.
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Refining the gonzo pop-collages of his previous work, Ariel Pink crafts an immersive, intimate record, marked by solitude.
It’s not hard to see why Ariel Pink would be fascinated with forgotten pop singer—and fellow Los Angeleno—Bobby Jameson. Jameson found minor success in the 1960s, only to see his career derailed by bad business dealings, substance abuse, and mental health issues. He spent much of the ’70s in institutions or living on…
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