roses are red, tears are blue — A Fountain Baby Extended Play

Conforming to the expected has never been Amaarae’s strong suit. And it should come as no surprise that the Ghanaian American artist would create a sonic otherworld where the trappings of R&B, hip-hop, Afropop, punk, and alternative rock mesh with globetrotting instrumentation and exist harmoniously without question on her album *Fountain Baby*. The result? A culmination of what a transnational pop star is in 2023—boundless. *Fountain Baby* lends its credence to Amaarae’s continued quest for growth and mastery, but not in a contrived way. There are pockets of carefully crafted yet carefree melodies like the dreamy “Angels in Tibet” and sultry “Reckless & Sweet.” On “Counterfeit,” the singer-songwriter swiftly glides with confidence on production by KZ Didit that’s reminiscent of an early-2000s movie soundtrack. “Wasted Eyes” opens with a quick koto solo and progresses as Amaarae soliloquises about a wounded romance. The 14-track solo project pushes the ante of its 2020 predecessor, *The Angel You Don’t Know*, towards newer heights. The 2024 deluxe edition, *roses are red, tears are blue — A Fountain Baby Extended Play*, adds seven new tracks.

The Ghanaian American singer’s new EP bubbles and froths with Afropop effervescence. It’s a little more subdued than its predecessor, but no less fluid.

The Ghanaian American singer’s new EP bubbles and froths with Afropop effervescence. It’s a little more subdued than its predecessor, but no less fluid.